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A group portrait of filmmakers attend the 1995 Sundance Film Festival. Featuring Matthew Harrison, Richard Linklater, Ethan Hawke, Todd Haynes, Greg Araki, Abel Ferrara, Atom Egoyan, James Gray, Robert Redford, Haskell Wexler, among many others. Co-directed by Amy Hobby. [Filmed in Pixelvision and blown-up to evocatively grainy 16mm.]

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Lee and Mae are a couple trying to work out their differences. As Mae struggles with memories of a former flame, Lee, who is a writer, works through his frustration by forming his problems into a story in his mind. And that's when everything starts shifting back and forth from reality to Lee's imagination.

The post-war years. Yakut hunter Bykadyrov discovers mysterious footprints in the taiga leading to a village where the head of a geological expedition has just been murdered. A group of state security officers arrives from Moscow to investigate the crime.

On this particular Friday morning the students of Eastbrook High are arriving at school to complete their final exams before the Christmas Holiday. But what began as a December snowfall quickly becomes a threatening winter storm, and school is dismissed for the day. The students who are unable to arrange transportation before the storm grows are forced to remain in the school gym. The six familiar strangers are the only students remaining as the outdoor conditions worsen and the doors are locked. Wills are tested, friendships are created, and secrets are revealed as they realize they must rely on each other to make it through the night.

In Angels in the Snow, the affluent, yet troubled Montgomery family hits the road for a special Christmas in the mountains.

Invited to visit her boyfriends family Christina discovers a murderous family secret leading her to fear for her relationship and safety,

In feudal Japan, women are vulnerable, in need of protection, and capable of deception. Jokichi of Mikogami, a drifter, has not yet fully revenged the death of his wife and son. He searches for Kunisada Chuji, who in turn has hired the knife-throwing Windmill Kobunji to kill him. Kobunji and Jokichi meet in the winter, near Sasago Pass, when both have rescued women: Jokichi has saved the lute-playing Oyae whose clan and whose lover want her dead; Kobunji has rescued Oharu, a well-born woman married to an innkeeper. Is this rescue a whim or something deeper? And why does Jokichi become the consumptive Kobunji's protector? What ultimately will Jokichi do about Oyae?

The protagonist, Franz, copies the paintings of old masters. He slowly loses his sense of reality, resulting in angst-ridden fantasies and a desire for self-destruction.Franz has an uphill battle with the loss of values and spread of capitalism around him. He rejects advertising to the point of destroying its manifestations.